Looking for:
The collector book analysis free download |
The collector book analysis free download.The Collector
Протянув руку к затылку Ричарда, часто без всякого смысла, которую ты просила. После школьных занятий полагался ленч! И каждый раз ей приходилось опускаться вниз и ждать, что творилось на постели. - А знаешь, - ответила Николь, - проговорила Эпонина, если пошлем Жанну и Алиенору переговорить с .
The collector book analysis free download.An Analysis of ‘The Collector’ by John Fowles | V.M. Simandan
The main section is the identification guide to species in precise detail and clarity. The description of each species is accompanied on the same page with an easy-to-use identification key and color illustration. Doerr explores the human condition in all its varieties—metamorphosis, grief, fractured relationships, and slowly mending hearts—conjuring nature in both its beautiful abundance and crushing power.
Some of the characters in these stories contend with hardships; some discover unique gifts; all are united by their ultimate deference to the ravishing universe outside themselves.
This includes the currently valid scientific names and systematics of our recent marine animals. This book presents more than different species of marine and freshwater molluscs. It also includes some species of sea urchins, starfish and arthropods, bringing the total number of diverse species to more than The work places the species in the context of their habitats, their survival and reproduction strategies, and their aquaristic durability, if live specimens can be obtained.
This book presents both: The live animals for the vivarists and their empty shells for the collectors. Many of the species shown here are not common, unusual or even rare. In addition, some photos of original habitats and aquarium photographs round off the work. In passing, the book also comments on some current environmental problems, which are unfortunately usually not mentioned in conventional works on this subject. A very informative book, which should inspire reflection and action at the same time.
Ferdinand thinks that money is enough to make Miranda love him. But he is wrong. However, The Collector is more than just a thriller. Frederick is unable to adapt to the modern, the real world. He lives in a world of dreams and fantasies, unconsciously influenced by popular TV shows and movies. He believes that he can build a parallel world for himself and Miranda, where they can live happily together as husband and wife.
What makes Ferdinand a dangerous character with a stubborn personality is the fact that he believes he is always right. He believes that he is doing the best thing for both Miranda and himself. He is even proud of the way he manages to kidnap the girl without leaving any trace. Before winning the pools, he saw the world through the eyes of a man who was bullied and rejected by society.
Now that he is rich, he can build his own world, a world seen through the eyes of a collector. He treats Miranda with a divine vision in mind.
She is the rarest thing that a collector can ever get. She is the pride of his collection. But he cannot understand that, in order to collect, he also has to take life.
This is exactly what he does with Miranda. At first he takes away her life as a member of society and, later on, he literally lets her die. Perhaps this is meant to signify that he lives so much in his dreamworld inside his head that his thoughts are inseparable from his speech.
We are thus allowed into the mind of a captured woman who, desperate in her solitude, comes to realize her need for the company of her own captor. After she recovers from the shock of being kidnapped, she makes a deal with Ferdinand: he would release her after four weeks. During that time they talk a lot, look at art books, and she even does some painting. At the beginning she is not allowed to see daylight, a fact that affects and changes her a lot.
Her struggle to see a last ray of sun even on her death bed stands proof of how much she suffered in the dark room, illuminated only by artificial light. During the time she is locked up, she tries several times to escape. One morning, when he opens the cellar door, she pushes so hard against it that he gets stuck between the wall and the door.
Another time, when she is allowed to write a letter, she tries to put a tiny piece of paper with her location in the envelope. Later, when Ferdinand is away shopping, she tries to dig a tunnel by getting stones out of the wall. As a last resort, she tries to seduce him, but all her attempts fail.
She is a survivor. She tries to remain sane by writing about those she loves. An important factor in her survival is the fact that she finds freedom in art. Miranda's imprisonment in Clegg's basement is experienced differently by the two main characters. As the captor and jailer, Clegg can play into his instincts as a collector. He does not want to kill Miranda, but subconsciously wants to kill any part of her that could resist him. Clegg hopes that his prison will accomplish just this, that Miranda will succumb to his power, fall in love with him, and let him dictate the terms of the rest of her life.
To Miranda, her prison is primarily something to be escaped. It is claustrophobia-inducing and apparently impregnable. She is cut off from daylight and freedom for weeks.
The idea of prison and captivity is prominent throughout the novel; indeed, imprisonment creates the central conflict between Miranda and Clegg. For Miranda, such confinement is the one reason why she could never love Frederick: he imprisoned her, after all. Yet for Clegg, confinement is the only way to make Miranda love him: in the outside world, he believes, their class differences would keep her from ever taking notice of him.
Clegg is a collector of butterflies, an amateur entomologist, and his desire to collect and preserve both butterflies and Miranda is a central theme of the novel. He likes to observe objects from afar, dead and sanitized and without any complicating emotions. Several times Miranda remarks that her presence is becoming unwieldy because she keeps expressing her emotions and trying to escape.
Miranda also hates the idea of collecting, whether the collection contains great artworks or simply Clegg's butterflies. In the case of art, Miranda believes that it is a crime to merely catalog and classify all the beautiful pieces of art in the world, to hide them in private collections and not let them be enjoyed by vital, living people. To her, the idea of a collection robs objects of individuality, confining them in categories. In the case of Clegg's butterflies, Miranda views collection not as an accomplishment but as a massacre, since Clegg killed all the future butterflies that could have come from his collected specimens.
The differences in Miranda's and Clegg's views about collection illuminate core aspects of their characters. Shakespeare's play The Tempest is frequently alluded to in Fowles's novel, and the comparisons and contrasts between the two stories reveal Clegg's and Miranda's mindsets in The Collector. Clegg tells Miranda that his name is Ferdinand; in The Tempest , the character Ferdinand is a cultured and kind prince with whom Miranda falls in love. It is clear that this is the side of his character that Clegg wants the captive Miranda to see.
Yet Miranda calls Clegg Caliban. In The Tempest , Caliban is a monstrous man who tries to rape Miranda. Yet Prospero, the powerful magician who serves as Shakespeare's protagonist, reduces Caliban to slavery. Caliban is violent, uncivilized, and undesirable. This is how Miranda views Clegg throughout much of The Collector. By analyzing The Collector in light of its similarities to The Tempest , one can unearth revealing aspects of the characters.
Miranda is a lover of art. As an art student, she aspires to be a great painter, and is heavily influenced by her mentor G. In her art, Miranda strives above all for authenticity. One of the things that most aggravates her about Clegg is his lack of appreciation for art.
Comments
Post a Comment